roman-gotika uslubi

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1505233492_66824.pptx roman-gotika uslubi âðð°ñð²ð°ñð»ð°ñâ ñð°ð½ñð°ñð¸ ð²ð° ð°ð½ñð¸ðº ñð°ð½ñð°ñð¸ âðð°ñð²ð°ñð»ð°ñâ ñð°ð½ñð°ñð¸ ð²ð° ð°ð½ñð¸ðº ñð°ð½ñð°ñð¸ ð°ð½ñð°ð½ð°ð»ð°ñð¸ð½ð¸ð½ð³ ñð·ð°ñð¾ ñð°ññð¸ñð¸ð´ð° ðð²ñð¾ð¿ð°ð´ð° ñññð° ð°ññ ñð°ð½ñð°ñð¸ð½ð¸ ð±ð¾ñð¸ð´ð°ð½ ðºðµñð¸ñð´ð¸. ðñ ñð°ññð¸ñ ð°ð¹ð½ð¸òñð° ò³ð°ð¶ð¼ ñð¾ñð¼ð° ð´ð¸ð½ð°ð¼ð¸ðºð°ñð¸, ñðºñð¿ñðµññð¸ñð´ð°, ðºð¾ð¼ð¿ð¾ð·ð¸ñð¸ñ ð²ð° ð½ð°òòð¾ñð»ð¸ðºð´ð° ñòòð¾ð» ð½ð°ð¼ð¾ñð½ ð±ñð»ð´ð¸. 2 1. europe in 1100 a. self explanatory- please note the names, especially the norman kingdom (england and southern italy) and the christian and muslim kingdoms of spain also. please notice the size of the holy roman empire fð°ñð±ð¸ð¹ ðð²ñð¾ð¿ð°ð´ð°ð³ð¸ ðºñð¿ð³ð¸ð½ð° ð¼ð°ð¼ð»ð°ðºð°ñð»ð°ñð´ð° ð¸ð±ñð¸ð´ð¾ð¸ð¹ ññð·ñð¼ð´ð°ð½ ññð½ð³ ñð· ð±ð¾ñð»ð°ñð¸ð´ð°ð½ òñð»ð´ð¾ñð»ð¸ðº ð´ð°ð²ñð¸ð½ð¸ ðºðµñð¸ñð¼ð°ð¹ ñññð¸ð±, ñðµð¾ð´ð°ð» ññð·ñð¼ð¸ð³ð° ññð¸ñð»ð°ñð¸ ð¼ñò³ð¸ð¼ ð²ð¾òðµð° ð±ñð»ð´ð¸. âðð°ñð²ð°ñð»ð°ñâ ñð°ð½ñð°ñð¸ð´ð°ð³ð¸ ð¸ð±ñð¸ð´ð¾ð¸ð¹ ññð·ñð¼ð³ð° ñ ð¾ñ ñð¾ð»ñðºð»ð¾ñð¸ð¹ ññññð½ñð°ð»ð°ñ ð±ð¸ð»ð°ð½ ð°ð½ñð¸ðº ñð°ð½ñð°ñ ð°ð½ñð°ð½ð°ð»ð°ñð¸ òññð¸ð»ð¸ð± ñð·ð¸ð³ð° ñ ð¾ñ ñð½ð³ð¸ ñð°ð½ñð°ñ ñð¸ð²ð¾ð¶ð»ð°ð½ð° ð±ð¾ñð»ð°ð´ð¸. 3 3. romanesque a. self explanatory b. note the relatively plain columns âðð°ñð²ð°ñð»ð°ñâ ñð¾ð¼ð¾ð½ð¸ð´ð°ð½ ð¸ññð¸ð»ð¾ òð¸ð»ð¸ð½ð³ð°ð½ ð ð¸ð¼ ð¸ð¼ð¿ðµñð¸ññð¸ð´ð° ñðµð¾ð´ð°ð» ð¼ñð½ð¾ñð°ð±ð°ñð»ð°ñ ñð¸ð²ð¾ð¶ð»ð°ð½ð° ð±ð¾ñð»ð°ð³ð°ð½ ñð´ð¸, ð¸ññð¸ð»ð¾ ð½ð°ñð¸ð¶ð°ñð¸ð´ð° ð ð¸ð¼ð´ð° ñ ñð¸ññð¸ð°ð½ ð´ð¸ð½ð¸ ñð°ññð¸ñð¸ð´ð° òð¾ð»ð´ð¸. ðð¸ð½ ð¾ð´ð°ð¼ð»ð°ñ ð¾ð½ð³ð¸, ññò³ð¸ññð¸ð³ð° ññòñññð¾ò …

ò³, ð¼ð°ð¹ð¸ð±, ð¶ð¸ñð¼ð¾ð½ð¸ð¹ ñ ñð½ñðº ð¾ð±ñð°ð·ð»ð°ñð½ð¸ ñð°ñð²ð¸ñð»ð°ñð´ð°ð½ ñññð¸ð¼ð°ð¹ð´ð¸. â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â â 4 4. the floor plan is a latin cross w/ clearly defined parts - basilica plan modified for large crowds - large apse - the square of the crossing / module for the rest of the plan - 1/2 half of the crossing square = 1 bay - side aisles = 1/4 of the crossing square the 4 side aisles form continuous circuit around the transept nave and transept. the ambulatory aisle …

ð¸òð°ð´ð¸. ðñ ð´ð°ð²ñ ð¼ðµñð¼ð¾ññð¸ð»ð¸ð³ð¸ð½ð¸ð½ð³ ñ ð°ñð°ðºñðµñð»ð¸ ñð¾ð¼ð¾ð½ð¸ ññð½ð´ð°ðºð¸, ñð½ð´ð° ð±ð¸ð½ð¾ð»ð°ñ ð±ð¸ñð¼ñð½ñð° ð¿ð°ññ, ð¶ð¸ð´ð´ð¸ð¹ ð²ð° ð¾òð¸ñ ðºññð¸ð½ð¸ñð³ð° ñð³ð°. ððµð²ð¾ñð»ð°ñð¸ òð°ð»ð¸ð½ ð²ð° ð¼ñññð°ò³ðºð°ð¼, ññð¸ðº, ð´ðµñð°ð·ð°ð»ð°ñ ñð½ñð¸ð·. ððµñð¼ð¾ññð¸ð»ð¸ðºð½ð¸ð½ð³ ð±ñð½ð´ð°ð¹ ðºññð¸ð½ð¸ñð¸ ò³ð°ñð±ð¸ð¹ ð¼ð°òñð°ð´ð»ð°ñð½ð¸ ðºñð·ð´ð° ñññð°ð´ð¸. ðñ ð´ð°ð²ñð´ð° ð°ñð¾ñð°ð½ ð¼ðµñð¼ð¾ññð¸ð»ð¸ðº ð±ð¸ð»ð°ð½ ð±ð¾òð»ð¸ò ð±ñð»ð³ð°ð½ ñð°ð½ñð°ñ ñññð»ð°ñð¸ ñð¸ð²ð¾ð¶ð»ð°ð½ð°ð´ð¸. ðñð»ð°ñ ð¼ð°ñ ð¾ð±ð°ñð»ð¸ ñð°ð½ð³ñð°ñð²ð¸ñ, ò³ð°ð¹ðºð°ð»ñð°ñð¾ñð»ð¸ðº, ð²ð¸ññð°ð¶ ñð°ð½ñð°ñð¸. ðñ ð¼ðµñð¼ð¾ññð¸ð»ð¸ðºð½ð¸ð½ð³ ñð½ð° ð±ð¸ñ ñð·ð¸ð³ð° ñ ð¾ñ ñ ññññð¸ññð¸, ñð¾ð¼ð½ð¸ð½ð³ ð³ñð¼ð±ð°ð· ñð°ñð·ð¸ð´ð° ñð¿ð¸ð»ð¸ñð¸ ð²ð° ñð½ð´ð° ð´ð°ññð°ð»ð°ñð½ð¸ð½ð³ ð¶ð¾ð¹ð»ð°ð½ð¸ñð¸ð´ð¸ñ. 6 6. radiating chapels a prominent feature of many romanesque churches is the addition of multiple chapels called "radiating chapels". early christian churches had 1 alter - 1 focus. during the romanesque period churches got into the relics business- more relics - more business - donations. each chapel would have different relics funded by wealthy donors, with a small alter and a box for donations or candles. ðñ ð´ð°ð²ñ ñð°ñð²ð¸ñð¸ð¹ ñð°ð½ñð°ñð¸ ð´ð¸ð½ ð±ð¸ð»ð°ð½ ñð·ð²ð¸ð¹ ð±ð¾òð»ð¸òð»ð¸ð³ð¸ ñð°ð±ð°ð±ð»ð¸ ñð½ð´ð° ñð°ð¼ð·ð¸ð¹, òð°ð¹ñð¸-ñð°ð±ð¸ð¸ð¹, ñð°ð½ñð°ññð¸ðº ð¾ð±ñð°ð·ð»ð°ñ ñññð°ð¹ð´ð¸. ð¤ðµð¾ð´ð°ð»ð¸ð·ð¼ ð´ð°ð²ñð¸ð½ð¸ð½ð³ ñð°ð½ñð°ñð¸ …

ð°ð½ñð° ðºð°ññð° ð±ñð»ð´ð¸. ð£ð»ð°ñ ñð¹ð¼ð° ð½ð°òñ ð²ð° ð±ñññð¼ð° ñð°ñð²ð¸ñð»ð°ñ ð±ð¸ð»ð°ð½ ð±ðµð·ð°ñð¸ð»ð°ñ ñð´ð¸. 7 7. sainte-foy is one of the earliest surviving examples of a romanesque style pilgrimage church. that is, a church designed specifically to accommodate visiting pilgrims. sainte foy, who the church is dedicated to, was martyred as a child in 303. the church was built above the site of her tomb and it holds relics associated with her. ðñð°ð»ð¸ñ ð¼ðµñð¼ð¾ññð¸ð»ð¸ð³ð¸ð´ð° ññð¸ð»ð¸ññð¸ðº ð±ð¸ñð»ð¸ðº ð¹ñò. ðñð½ð³ð° ð°ñð¾ñð¸ð¹ ñð°ð±ð°ð± ñð½ð¸ð½ð³ ñð°ñòð¾òð»ð¸ð³ð¸. ðð¹ñð¸ð¼ ð²ð¸ð»ð¾ññð»ð°ñð´ð° ðð¸ð·ð°ð½ñð¸ñ ñð°ññð¸ñð¸, ñð½ð° ð±ð¸ñ ð¶ð¾ð¹ð´ð° ñð¾ð¼ð°ð½ ð°ññ ð¸ñðµðºñññð°ñð¸ ñð°ññð¸ñð¸, ð±ð¾ñòð° ð¶ð¾ð¹ð¸ð´ð° ññð°, ð¼ð°ñð°ð»ð°ð½ ð¢ð¾ñðºð°ð½ð° ð²ð° ðð¾ð¼ð±ð°ñð´ð¸ñ ð¼ð°ðºñð°ð±ð»ð°ñð¸ð´ð° ññð° ð°ð½ñð¸ðº ð°ð½ñð°ð½ð°ð»ð°ñ ñð°ññð¸ñð¸ ñðµð·ð¸ð»ð¸ð± ñññð°ð´ð¸. ð ð¾ð¼ð°ð½ ð´ð°ð²ñð¸ ñð°ñð²ð¸ñð¸ð¹ ñð°ð½ñð°ñð¸ð´ð° ð¼ð°ð½ð° ññ ð°ññ ð¸ñðµðºñññð° ð±ð¸ð»ð°ð½ ð±ð¾òð»ð¸ò ñð°ñð²ð¸ñð¸ð¹ ñð°ð½ñð°ñ ññð½ð¸ ð´ðµð²ð¾ñð¸ð¹ ñññð°ñ ð²ð° ð²ð¸ññð°ð¶ð»ð°ñ ð¸ñð»ð°ñ ð¼ñò³ð¸ð¼ ññð¸ð½ ñññð°ð´ð¸. ð ð°ð½ð³ð´ð¾ñ ñññð°ñð»ð°ñ ð±ð¸ð»ð°ð½ ð±ð¸ð½ð¾ ñð¸ññð»ð°ñð¸ ð²ð° ð´ðµð²ð¾ñð»ð°ñð¸ð½ð¸ ð±ðµð·ð°ñð³ð° ðºð°ññð° ñññð¸ð±ð¾ñ ð±ðµñð¸ð»ð°ð´ð¸. ðñ ð±ð¸ð½ð¾ð»ð°ñ ð°ñð¾ñð°ð½ ð¸ð±ð¾ð´ð°ññ ð¾ð½ð°ð»ð°ñ ð±ñð»ð³ð°ð½ð»ð¸ð³ð¸ ñð°ð±ð°ð±ð»ð¸ ñð½ð´ð° ñññð°ñð»ð°ñ ð¼ð°ð²ð·ññð¸ ò³ð°ð¼ …

¾ð´ð°ð»ð¸ð·ð¼ ññð·ñð¼ð¸ ð¸ñð¸ð´ð°ð³ð¸ ñð½ð³ð¸ ñð·ð³ð°ñð¸ñð»ð°ñ ñð½ð´ð°ð½ ðºðµð¹ð¸ð½ ðºðµð»ð¸ñð¸ ðºðµñð°ðº ð±ñð»ð³ð°ð½ ññð·ñð¼ð½ð¸ð½ð³ ñð°ññ-ñð°ñð¾ð¸ñð»ð°ñð¸ð½ð¸ ññð°ñð¸ñð³ð° ð·ð°ð¼ð¸ð½ ò³ð¾ð·ð¸ñð»ð°ñð³ð° ðºð¸ñð¸ñð° ð±ð¾ñð»ð°ð´ð¸. ðñ ññð° ñð°ò³ð°ñð»ð°ñð½ð¸ð½ð³ ñð°ñð°òòð¸ð¹ ññð¸ñð¸ð³ð°, ð±ñð½ð´ð° ñð°ð²ð´ð¾ð³ð°ñ ð²ð° ò³ñð½ð°ñð¼ð°ð½ð´ð»ð°ñð½ð¸ð½ð³ ñð¾ð»ð¸ð½ð¸ ð¾ññð¸ð± ð±ð¾ñð¸ñð¸ð³ð° ñð°ð±ð°ð± ð±ñð»ð´ð¸. ðð²ñð¾ð¿ð° ð¼ð°ñðºð°ð·ð»ð°ñð¸ð´ð° xii ð°ññ ð±ð¾ñð»ð°ñð¸ð´ð° ñð°ð½ð½ð¸ð½ð³ ñð¾ð»ð¸ ð¾ññð´ð¸ ð²ð° ð±ð¸ñð¸ð½ñð¸ ð¸ð»ð¼ð¸ð¹ ð¼ð°ñðºð°ð·ð»ð°ñ - ñð½ð¸ð²ðµññð¸ñðµñð»ð°ñ ñð°ñðºð¸ð» òð¸ð»ð¸ð½ð´ð¸. ðð°ñðµñð¸ð°ð»ð¸ññð¸ðº ð´ñð½ñòð°ñð°ñð½ð¸ð½ð³ ð¸ð»ðº ð±ðµð»ð³ð¸ð»ð°ñð¸ ð¿ð°ð¹ð´ð¾ ð±ñð»ð° ð±ð¾ñð»ð°ð´ð¸. ðñð½ð´ð° ðð±ð½ ð¡ð¸ð½ð¾ ð²ð° ñð½ð¸ð½ð³ ñð¾ð³ð¸ñð´ð¸ ðð±ð½ ð ññð´ (ðð²ðµññð¾ñ) ñð°ññð¸ñð¸ ðºð°ññð° ð±ñð»ð´ð¸. 10 10. a side view of the 9â thick walls supporting the dome. a marvel of engineering. ð¡ð°ð½ñð°ñ ð²ð° ð¼ð°ð´ð°ð½ð¸ññð´ð° ò³ð°ð¼ ðºð°ññð° ñð·ð³ð°ñð¸ñð»ð°ñ ñð· ð±ðµñð´ð¸, ò³ð°ññð¸ð¹ ð¼ð°ð²ð·ñð´ð°ð³ð¸ ð°ñð°ñð»ð°ñ ð¿ð°ð¹ð´ð¾ ð±ñð»ð° ð±ð¾ñð»ð°ð´ð¸. ð ñò³ð¾ð½ð¸ð¹ð»ð°ñ ò³ð°ññð¸ð´ð°ð³ð¸ ð¸ðºðºð¸ ñð·ð»ð°ð¼ð°ñð¸ð»ð¸ðºð½ð¸ ñð¾ñ ñññð²ñð¸ ñðµð°ññð»ð°ñ, ññð½ð¸ ðºð¾ð¼ðµð´ð¸ð°ñð»ð°ñ, ð¼ð°ñðºð°ñð°ð´ð»ð°ñ ñð·ð°ð³ð° ðºðµð»ð´ð¸. 11 11. the dome looking up from the inside. note â no steel. only concentric squares supported the weight. the mortar (concrete) became thinner and thinner towards the top. the light from the hole was used to determine planting, …

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О "roman-gotika uslubi"

1505233492_66824.pptx roman-gotika uslubi âðð°ñð²ð°ñð»ð°ñâ ñð°ð½ñð°ñð¸ ð²ð° ð°ð½ñð¸ðº ñð°ð½ñð°ñð¸ âðð°ñð²ð°ñð»ð°ñâ ñð°ð½ñð°ñð¸ ð²ð° ð°ð½ñð¸ðº ñð°ð½ñð°ñð¸ ð°ð½ñð°ð½ð°ð»ð°ñð¸ð½ð¸ð½ð³ ñð·ð°ñð¾ ñð°ññð¸ñð¸ð´ð° ðð²ñð¾ð¿ð°ð´ð° ñññð° ð°ññ ñð°ð½ñð°ñð¸ð½ð¸ ð±ð¾ñð¸ð´ð°ð½ ðºðµñð¸ñð´ð¸. ðñ ñð°ññð¸ñ ð°ð¹ð½ð¸òñð° ò³ð°ð¶ð¼ ñð¾ñð¼ð° ð´ð¸ð½ð°ð¼ð¸ðºð°ñð¸, ñðºñð¿ñðµññð¸ñð´ð°, ðºð¾ð¼ð¿ð¾ð·ð¸ñð¸ñ ð²ð° ð½ð°òòð¾ñð»ð¸ðºð´ð° ñòòð¾ð» ð½ð°ð¼ð¾ñð½ ð±ñð»ð´ð¸. 2 1. europe in 1100 a. self explanatory- please note the names, especially the norman kingdom (england and southern italy) and the christian and muslim kingdoms of spain also. please notice the size of the holy roman empire fð°ñð±ð¸ð¹ ðð²ñð¾ð¿ð°ð´ð°ð³ð¸ ðºñð¿ð³ð¸ð½ð° ð¼ð°ð¼ð»ð°ðºð°ñ...

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