priklyuchencheskaya literatura

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3). angliyskiy pisatel priklyucheniy g. rayder xaggard (1856-1925) pokoril chitateley romanami «solomonovi kopi» (1885) i «ona» (1887). robert lyuis stivenson (1850-1894) — shotlandskiy pisatel i poet, podarivshiy nam «ostrov sokrovish» (1883) i «poxishenniy» (1886). klyuchevie cherti priklyucheniy zaxvativayushiy syujet, osnovanniy na napryajenii, ekshn-stsenax (3 ojestochyonnie bitvi, derzkiy pobeg iz obrushayusheysya shaxti) i konfliktax (chelovek protiv prirodi, chelovek protiv cheloveka, chelovek protiv sebya) v spetsificheskix lokatsiyax (zateryanniy gorod eldorado, otdalyonniy arkticheskiy ostrov, opasniy gorniy pereval v alpax) samopoznanie, stoykost, preodolenie trudnostey (naprimer, prijok so 100-metrovogo vodopada, draka s pyatyu napadavshimi), sila duxa – glavnie temi podjanri priklyuchencheskoy literaturi sverx'estestvennie priklyucheniya (fentezi-kvesti v duxe «vlastelina kolets», elfi, gnomi, orki, bitvi za koltso; goticheskiy ujas, zamki, transilvaniya, vampiri, oborotni). opredelenie priklyuchencheskoy literaturi zaxvativayushie syujeti, realistichnie ili fantasticheskie dekoratsii (naprimer, mificheskie ostrova, zateryannie goroda atlantidi), geroi, stalkivayushiesya s moralnimi dilemmami i ekzistentsialnimi krizisami; primeri — "ostrov sokrovish" stivensona (karibi xvii veka) ili "dvadtsat tisyach …

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yushiesya motivi — puteshestvie, poisk propavshego ob'ekta ili cheloveka, borba s mogushestvennim protivnikom — chasto slujat allegoricheskim otobrajeniem glubinnix tem: preodoleniya ogranicheniy, protivostoyaniya nespravedlivosti i osmisleniya jizni, smerti i smisla sushestvovaniya. priklyuchencheskaya literatura chasto issleduet temi vijivaniya, samopoznaniya i stolknoveniya s neizvestnim. (adventure literature often explores themes of survival, self-discovery, and confrontation with the unknown.) sovremennie tendentsii v priklyuchencheskoy literature postapokalipticheskie narrativi (naprimer, trilogiya «golodnie igri» syuzen kollinz, deystvie kotoroy proisxodit v paneme) dominiruyut, demonstriruya distopicheskie miri so slojnimi vizovami na vijivanie i razvitimi personajami, znachitelno vliyaya na priklyuchencheskuyu literaturu xxi veka raznoobraznie golosa i perspektivi v priklyuchencheskoy literature brosayut vizov traditsionnim shtampam. eko-trilleri (naprimer, proizvedeniya djeymsa rollinsa, deystvie kotorix proisxodit v amazonii i gimalayax), aktsentiruyushie vnimanie na ekologicheskix opasnostyax i vliyanii cheloveka, otrajayut rastushee osoznanie problemi izmeneniya klimata privlekatelnost priklyucheniy dlya chitateley priklyuchencheskaya literatura vechno populyarna blagodarya zaxvativayushim priklyucheniyam: chitateli ubegayut ot rutini, soperejivaya geroyam v opasnix puteshestviyax. sovremennaya …

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powerpoint presentation avantyurno priklyuchencheskaya literatura xujamqulova guljaxon 01 klyuchevie temi i tropi 02 izvestnie avtori i proizvedeniya 03 opredelenie priklyuchencheskoy literaturi priklyuchencheskaya literatura i ekranizatsii texnologii xx i xxi vekov (cgi, spetseffekti) silno povliyali na ekranizatsii priklyuchencheskix filmov. dorogostoyashie proekti (avatar, vlastelin kolets) sozdayut realistichnie miri, povishaya pogrujenie zritelya. janri fentezi (xobbit, xroniki narnii) i nauchnoy fantastiki (zvyozdnie voyni, dyuna) ispolzuyut literaturnie pervoistochniki, smeshivaya janri priklyuchencheskaya literatura, oxvativayushaya morskie istorii (naprimer, «ostrov sokrovish», «mobi dik»), issledovaniya djungley («serdtse tmi», seriya o tarzane) i vesterni («virdjinets», romani z...

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