versification: rhythm, meter and rhyme

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versification: rhythm, meter and rhyme lecture 12 versification: rhythm, meter and rhyme lecture 12 plan rhythm meters rhyme alliteration rhythm rhythm is perhaps the most common description of the difference between poetry and other forms of literature known under the term prose. it is the organization of stressed and unstressed syllables into repetitive patterns called meters defining the over-all musical register in a poem. meters then are form by regular recurrence of accents or stresses whether established as word accents (stresses in the natural pronunciation of each word) or rhetorical accents (stresses placed on a word or a syllable for rhetorical purposes). each meter consists of repetitive identical unites of stressed and unstressed, or accented and unaccented syllables. each one of these unites is called a foot. in english poetry there are only five simply constructed patterns of this nature: the iambic foot: consists of an unstressed followed by a …

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nes. rhyme rhyme is a repetition of accented sounds in words. it is a type of echoing produced by the close placement of two or more words with similarly sounding final syllables. rhyme is used in poetry (and occasionally in prose) to produce sounds that appeal to the ear and to unify and establish a poem's stanzaic form. end rhyme (i.e., rhyme used at the end of a line to echo the end of another line) is most common, but internal rhyme (occurring before the end of a line) is frequently used as an embellishment. in the general sense, general rhyme can refer to various kinds of phonetic similarity between words, and to the use of such similar-sounding words in organizing verse. rhymes in this general sense are classified according to the degree and manner of the phonetic similarity: syllabic: a rhyme in which the last syllable of each word …

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er in sounds (alone, done / remove , love). off rhyme: sometimes also called imperfect, partial or slant rhymes, are those rhymes that don‟t quite correspond due to perhaps lack of skill. recognisable genres and ‘kinds’ of verse, for instance ♦ ballad/lyric forms– usually in four-line verses (quatrains) with alternating rhymes (abab) and with four or three stresses per line; more ‘literary’ versions may be syllabically regular; e.g., blake, gray. ♦ blank verse– regular accentual-syllabic verse, often iambic pentameter, but without rhyme or structural alliteration; e.g., shakespeare’s the tempest and milton’s paradise lost. ♦ sonnet– characteristically, a fourteen-line poem (occasionally sixteen) broken into units of eight and six lines (octave and sestet) or three quatrains and a couplet. alliteration (head rhyme): repetition of consonant sounds in two or more neighbouring words or syllables. a frequently used poetic device, it is often discussed with assonance (the repetition of stressed vowel sounds …

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versification: rhythm, meter and rhyme lecture 12 versification: rhythm, meter and rhyme lecture 12 plan rhythm meters rhyme alliteration rhythm rhythm is perhaps the most common description of the difference between poetry and other forms of literature known under the term prose. it is the organization of stressed and unstressed syllables into repetitive patterns called meters defining the over-all musical register in a poem. meters then are form by regular recurrence of accents or stresses whether established as word accents (stresses in the natural pronunciation of each word) or rhetorical accents (stresses placed on a word or a syllable for rhetorical purposes). each meter consists of repetitive identical unites of stressed and unstressed, or accented and unaccented syllables. each one...

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