character emotions guide

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describing your characters’ feelings how are your characters feeling? it’s important for your readers to know. i’ve written an earlier post about conveying a character’s thoughts, and another one about facial expressions, but it’s time to tackle emotions. for this blog post i’m going to regard ‘feelings,’ ’emotions,’ and ‘moods’ as being synonymous, even though neuroscientists draw distinctions between these terms. emotions are part of the human experience, and seem to result from how we’re hard-wired, what our individual background has been, and a recent external or internal stimulus. since we all have emotions in the real world, the characters in your fiction must have them too, to make them convincing. as a writer, it’s your job to convey these emotions to the reader with clarity and accuracy. there shouldn’t be a doubt in the reader’s mind about what a character is feeling. how do you do that? here are …
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ere are some helpful websites that list adjectives useful in describing emotions, notably this one and this one. but i caution against an over-reliance on such adjectives. it’s more effective to show emotions through a character’s actions or by describing what’s going on inside the character’s mind. how did this blog post make you feel? are you now confident you can convey a character’s feelings in a more precise way? i welcome comments from you on this topic; in fact few things in life bring greater joy and serenity to—

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describing your characters’ feelings how are your characters feeling? it’s important for your readers to know. i’ve written an earlier post about conveying a character’s thoughts, and another one about facial expressions, but it’s time to tackle emotions. for this blog post i’m going to regard ‘feelings,’ ’emotions,’ and ‘moods’ as being synonymous, even though neuroscientists draw distinctions between these terms. emotions are part of the human experience, and seem to result from how we’re hard-wired, what our individual background has been, and a recent external or internal stimulus. since we all have emotions in the real world, the characters in your fiction must have them too, to make them convincing. as a writer, it’s your job to convey these …

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