the development of the english realistic novel, sentimentalism

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the development of the english realistic novel, sentimentalism lecturer: madina madieva sentimentalism sentimentalism is a way of writing stories or creating art that focuses on feelings, emotions, and kindness. instead of just talking about big adventures or smart ideas, sentimentalism shows how people feel inside—like when they are happy, sad, or helping others. it’s all about making readers care about the characters and their emotions. what makes sentimentalism special? feelings first: sentimental stories care more about how people feel than what they do. they show characters who are kind, loving, or sad. being good: these stories often teach us to be nice, caring, and helpful to others. everyday people: instead of kings or superheroes, sentimental stories are about regular people, like farmers, families, or kids. nature and simplicity: many sentimental stories show how beautiful and peaceful nature can be, like forests, rivers, or small villages. touching moments: these stories often …

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er (duradgor), who came to london and was apprenticed (shogird) as a printer sentimentalists samuel richardson (1689-1761) he was asked to prepare and a series of model letters for those who could not write for themselves. richardson told maid- servants how to negotiate a proposal of marriage, apprentices how to apply for situations, and even his sons how to plead their father’s forgiveness. this humble task taught richardson that he had at his fingers’ ends the art of expressing himself in letters, and in the years that followed he published three long works, on which his reputation rests; “pamela; or, virtue reward-ed” (pamela; yoxud mukofotlangan fazilat) (1740), “clarissa; or, the history of a young lady” (1748) and “the history of sir charles grandison” (1754), in which the inner world of the character is shown. sentimentalists samuel richardson (1689-1761) richardson was the first novelist of the period to make so detailed …

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ather ran a small bookstore. the family was poor, and his father’s lack of money forced johnson to leave oxford university without taking a degree. after he left oxford, he earned his living with a number of teaching and journalism jobs, non of which were a financial success and non of which could satisfy his literary ambitions. however, by the 1740s he began to produce works of considerable importance. samuel johnson (1709 - 1784) johnson’s literary achievements are remarkable. his “dictionary of the english language” (1755) is noted for its scholarly definitions of words and the use of excellent quotations to illustrate the definitions. no one has equaled him in describing clearly to the english people what the words in their language really mean. in his “the lives of the english poets” (1779-1781) johnson critically examined the work of 52 poets from cowley to gray and did much to establish …

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play exposes society people who love malicious gossip and does it with glittering wit. here the author creates contrasting characters of a careless but kind young man, charles surface, and his cunning (hiylagar) and selfish (xudbin) brother joseph. richard brinsley sheridan (1751-1816) sheridan’s next work is “the critic”, a short satiric play, written in 1779. in this work sheridan wittily (aql bilan) criticizes theatrical fashions. his other plays: the farce “st. patrick’s day” and a comic opera “the duenna” were written in 1775. in 1780 he was elected to the british parliament, and until 1812, he devoted himself to politics. some of sheridan’s political speeches delivered within this period are regarded as a classical example of english oratory art. his political life influenced his creative work and in 1799 sheridan wrote his last play “pizarro”. it was a political tragedy. image1.jpeg image2.emf image3.emf the second half of the eighteenth century …

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e” (1755) is noted for its scholarly definitions of words and the use of excellent quotations to illustrate the definitions. no one has equaled him in describing clearly to the english people what the words in their language really mean. in his “the lives of the english poets” (1779-1781) johnson critically examined the work of 52 poets from cowley to gray and did much to establish literary criticism as a form of literature. johnson also wrote articles, reviews, essays, and two satires, “london” (1738) and “the vanity of human wishes” (1749) both based on juvenal, these show what his powerful mind, his grave moral outlook and his incisive phrasing could acieve. his prose work “rasselas” (1759), though nominally an abyssinian narrative, employs the story only for the philosophical argument, which is a trenchant attack on people who seek an easy path to happiness. johnson’s friends (the johnson circle) were the …

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the development of the english realistic novel, sentimentalism lecturer: madina madieva sentimentalism sentimentalism is a way of writing stories or creating art that focuses on feelings, emotions, and kindness. instead of just talking about big adventures or smart ideas, sentimentalism shows how people feel inside—like when they are happy, sad, or helping others. it’s all about making readers care about the characters and their emotions. what makes sentimentalism special? feelings first: sentimental stories care more about how people feel than what they do. they show characters who are kind, loving, or sad. being good: these stories often teach us to be nice, caring, and helpful to others. everyday people: instead of kings or superheroes, sentimental stories are about regular people, …

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